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Nijinsky as Armide's slave in. The middle act was originally choreographed by as L'animation de Gobelins for the 1907 Imperial ballet school student show, and was performed by the new Ballets Russes on its opening night in Paris, 1909 In 1900, Nijinsky joined the Imperial Ballet School, where he initially studied dance under and his brother. He studied mime under; all three men were principal dancers at the. At the end of the one year probationary period, his teachers agreed upon Nijinsky's exceptional dancing ability and he was confirmed as a boarder at the school. He appeared in supporting parts in classical ballets such as Faust, as a mouse in, a page in and, and won the Didelot scholarship.

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During his first year, his academic studies had covered work he had already done, so his relatively poor results had not been so much noted. He did well in subjects which interested him, but not otherwise.

In 1902 he was warned that only the excellence of his dancing had prevented his expulsion from the school for poor results. This laxity was compounded through his school years by Nijinsky's frequently being chosen as an extra in various productions, forcing him to be away from classrooms for rehearsals and to spend nights at performances. He was teased for being Polish, and nicknamed 'Japonczek' for his faintly Japanese looks at a time Russia was at war with Japan. Some classmates were envious and resented his outstanding dancing ability. In 1901 one of the class deliberately caused him to fall, leading to his suffering a and being in a coma for four days. Became his teacher in 1902, and awarded him the highest grade he had ever given to a student. He was given student parts in command performances in front of the of, The Nutcracker and The Little Humpbacked Horse.

In music he studied piano, flute, and accordion, receiving good marks. He had a good ability to hear and play music on the piano, though his sight reading was relatively poor. Against this, his behaviour was sometimes boisterous and wild, resulting in his expulsion from the school in 1903 for an incident involving students' shooting at the hats of passers-by with catapults while being driven to the Mariinsky Theatre in carriages. He was readmitted to the school as a non-resident after a sound beating and restored to his previous position after a month's probation. In 1904, at the age of 14, Nijinsky was selected by the great choreographer to dance a principal role in what proved to be the choreographer's last ballet,.

The work was never performed due to the outbreak of the. On Sunday, 9 January 1905, Nijinsky was caught in the massacre in St Petersburg, where a group of petitioners led by Father Grapon attempted to present their petition to the Czar. Soldiers fired upon the crowd, leading to an estimated 1000 casualties.

Nijinsky was caught in the crowd on and propelled toward the. Imperial cavalry troops charged the crowd, leaving him with a head wound. The following day, he returned to the scene with a friend whose sister was missing. She was never found. Nijinsky became calmer and more serious as he grew older, but continued to make few friends, which continued through his life [ ].

His reserve and apparent dullness made him unappealing to others except when he danced. Group of supporters and members of the Ballets Russes taken by one of its founders, Nicolas Besobrasov. From left to right, in hat Alexandra Sergueievna Botkina, Pavel Koribut-Kubitovitch, Tamara Karsavina, Vaslav Nijinsky, Igor Stravinsky, Alexandre Benois, Sergei Diaghilev, K Harris.

Front, Alexandra Vassilieva. Taken in 1911, 3 days before the premiere of Spectre de la rose In 1910, he performed in, and Fokine's ballets and (based on the orchestral suite by ). His portrayal of ',' the puppet with a soul, was a remarkable display of his expressive ability to portray characters. His partnership with, also of the, was legendary, and they have been called the 'most exemplary artists of the time'.

In January 1911 he danced in Giselle at the Mariinsky Theatre in St. Petersburg for the Imperial Ballet, with the Tsarina in attendance.

His costume, which had been designed by Benois and used in Paris before, caused a scandal, as he danced in tights without the then-common trousers. He refused to apologize and was dismissed from the Imperial Ballet. It is possible that he was not altogether unhappy about this development, as he was now free to concentrate on the Ballet Russes.